As Part II of the "Threshold and Truth" series within the Organic Gridism movement, "Kesret-i Zerre" (70x70 cm, Acrylic on canvas) declares that "Every civilization is first established within the human soul; only then does it transform into stone, language, and architecture." Moving beyond the initial realization of human insignificance in Zerre-i Mutlak, this work depicts how the singular particle proliferates into civilization, hubris, and eternal search. Reinterpreting the Tower of Babel through the seven tiers of the Nafs (the self), the canvas charts the fragmented human soul's struggle to return to the center and the "One." Rejecting the aesthetic commodification of trauma, this piece invites humanity to confront its boundaries: no amount of proliferation can ever replace the Absolute.