Ashfall examines the interaction of dense, dark materiality and lighter sedimentary layers.
The upper section carries the visual weight of accumulated ash, while the lower field reveals gradual settling, abrasion and surface fatigue.
Subtly emerging fragments of printed text function as quiet historical residues, introducing a secondary temporal layer that connects the work to earlier material states.
Through this interplay of compression, erosion and embedded traces, the piece situates itself within an extended vocabulary of weathered surfaces and slow transformation.

From the series “Weathered Surfaces”