Statement
I work with abstraction as a space of instability, where form does not need to be persuasive and the image does not need to be immediately legible. I am not interested in illustrating nature; instead I focus on what remains after observation — distortions, absences, and the gaps between what is visible and what is felt.
In my work I use pastel, paper collage, acrylic, coloured pencil, and mixed media. Each material carries its own limitations, and these limitations shape the internal logic of the work. Layering is not a decorative device and not simply a way of creating depth; it is a method of holding different, sometimes contradictory states within a single surface.
Living between different natural and cultural environments has sharpened my attention to displacement and instability. Landscape enters my work not through recognisable imagery but through atmosphere — through shifts of light, the density of air, rhythm, and pauses.
My process is intuitive, yet grounded in observation. I usually begin with sketches and colour studies, while allowing the work to move away from the initial plan. I am interested in the moment when a work begins to resist its own intention and develops its own internal logic.