I paint because an image can hold what words can’t.
Every painting begins with coincidence — stains, traces, gestures — and evolves through a mix of control and instinct. I’m drawn to the tension between chaos and structure, between clarity and confusion.

My process is a balance of observation and improvisation. I often start with something accidental and follow where it leads, letting forms and associations emerge on their own. Influences from comics, pop culture and irony coexist with pure abstraction — all part of the same visual language.

Each painting is an open story. It shifts with every viewer, with every glance. For me, art is not about depicting reality, but about decoding how we see it.