Revisionism fits these two paintings.

They started in 2017, then sat unfinished for years. In 2026, I came back to them with a sharper eye and finished what was already there.

The limited palette does most of the work. The colors press against each other, then pull back. The geometric structure gives each piece an architectural feel, while the optical experience changes as you look closer.

There are only 2 in this series. They’re small, direct, and made to pull the viewer in close.