Interview with Gerard Vliek
We’re pleased to share an interview with an artist who discusses his journey, sources of inspiration, and the creative process behind his work. Through his words, we’ll explore how he approach his projects and the role art plays in his life and in today’s world.
Hi Gerard, can you tell us about your background and what initially drew you to the visual arts?
I’ve always been fascinated by craftsmanship and the tactile nature of materials. Growing up in Austria, I was surrounded by classical art and sculpture, which inspired me from a young age. I initially studied sculpture at a local art school, but what truly drew me in was the process of transforming raw material into something refined and delicate.
How would you describe your artistic style and influences?
My style is rooted in traditional craftsmanship, but I like to approach it with a sense of precision and minimalism. I admire the classical sculptors who played with form and material, but I also draw inspiration from contemporary artists who explore delicate textures and subtle details.
What themes or messages are most important to you in your work?
I am most interested in themes of fragility, temporality, and patience. My small sculptures are like meditations on the fleeting nature of beauty and the importance of attentive craftsmanship, inviting viewers to slow down and appreciate the subtle details.
Can you walk us through your creative process? How do you start a new piece?
It usually begins with a concept or an idea I want to explore—something that captures a moment of delicate balance. I then choose the marble piece, often a small block, and begin sketching or visualizing the form. I carve slowly and carefully, allowing the material to guide me, often making multiple small revisions before I feel the piece is complete.
“Art is the silent voice of the soul, expressing what words cannot capture.”
What mediums do you prefer to work with, and why?
I primarily work with polished marble and wood. Marble’s luminous quality and durability make it ideal for detailed, refined sculptures. Wood, on the other hand, offers a warm contrast and a different tactile experience. Combining these materials allows me to play with contrasts and harmony.
How has your work evolved over the years?
Initially, I focused more on purely technical mastery, but over time I became more interested in exploring emotion and subtlety within small forms. I’ve also experimented with different textures and finishes, pushing the boundaries of traditional sculpture to find a balance between detailed craftsmanship and expressive minimalism.
What role do you believe art plays in society today?
I believe art is a mirror that reflects our values and concerns, but it also has the power to bring calm, reflection, and a sense of beauty in a hectic world. My small sculptures aim to offer viewers a moment of pause and appreciation for the understated beauty of life.
Are there any new art movements or trends that inspire you or influence your latest work?
I’m influenced by contemporary minimalism and conceptual art, especially the focus on simplicity and the essence of form. Though my work is rooted in tradition, I find inspiration in how modern artists distill ideas into very pure, restrained statements.
Can you tell us about a project or piece that was particularly meaningful or challenging?
One of my most meaningful pieces was a series of small sculptures representing fragile moments of stillness in everyday life. The challenge was to convey emotion and depth in very tiny forms, which required extreme precision and patience. It taught me a lot about humility and the importance of detail.
What influences your choice of subject matter?
My choice is often influenced by natural forms—stones, leaves, or simple shapes that evoke calmness and balance. Sometimes I work from personal memories or moments of quiet reflection, aiming to capture a feeling rather than a literal subject.
How important is collaboration with other artists or art professionals in your practice?
Collaboration isn’t a big part of my process, as I prefer the solitary meditative nature of carving. However, I do enjoy exchanging ideas with fellow artists and curators, which often helps me gain new perspectives and refine my approach.
Are there any specific artists or thinkers who have had a significant impact on your work?
I’ve always admired classical sculptors like Donatello and Bernini for their mastery of form and detail. More recently, contemporary artists like Richard Long and Agnes Martin inspire me with their emphasis on subtlety and the meditative aspect of art.
How do you see your art evolving in the next few years?
I want to continue exploring the balance between perfection and imperfection, perhaps experimenting more with alternative materials or larger scales while maintaining the delicacy of my miniature sculptures. I also hope to incorporate more conceptual ideas into my work.
Have you explored any new techniques or experiments recently?
Yes, I’ve been experimenting with different polishing techniques to create surface textures that play with light and shadow in new ways. I’m also exploring incorporating subtle inlays with mineral pigments to add color accents without disrupting the purity of the marble.
What’s next for you? Are there upcoming projects or exhibitions you’re excited about?
This year, I am preparing for a solo exhibition where I will showcase a new series of small sculptures inspired by natural structures and textures. I am also working on a collaborative project with other artists, which will allow me to explore new techniques and concepts while maintaining the focus on the delicacy and precision of my forms. I am very excited about these endeavors, as they will help me expand my creative horizons and share my work with a broader audience.
Our sincere thanks for your time and for sharing your story. Best wishes for your upcoming projects and endeavors.
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